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JUN 10, 2006
CUTTING
IN 4/4
TIME
It has come to my attention that surgeons like to
listen to music while they work. Sometimes,
they
even let the patients pick the tunes. There’s
an article
about this on the New York Times
web site today, an
article that is probably meant to be a sort of whimsical human interest
thing –
some doctors jam to the Grateful Dead while operating; some prefer
arias; ain’t
it all so quirky?? But it’s kind of frightening to think about if
you
know
that someday, you will have to have surgery. I
mean, what if Dr. Deadhead forgets his (or her) CD
collection at home and the
only substitute he can find is the anesthesiologist’s copy of the
Celine Dion’s
greatest hits? Would you want to be the
one under the knife when a surgeon whose cutting rhythm is set to
“Uncle John’s Band” has to remix his whole routine for “Neeear Faaaar
Whereeeeeeever
You Aaaaare” or whatever that “Titanic” song is called?
I wouldn’t. Hearing
that insipid screech-fest would increase my need for anesthesia tenfold. No, if I were given a choice for surgery
music, it would have to be jazz.
So next time – and, alas, I know there
will be a next time –
a little Billie Holliday, if you please. “I’ll
Never Fail You,” “Practice Makes Perfect” or
“I’m Pulling Through”
would seem to be appropriate. “All of Me”
is one of my favorites, but I’m concerned it might give the wrong
impression to
the individual with the scalpel – my surgeries tend to involve cutting
things
out, and it sort of frightens me to think of Lady Day’s hypnotic voice
uttering
the line “Why not take all of me?” just as the surgeon is deciding
where,
exactly, to place the knife.
Herbie Hancock might work, too. “Stiched Up,” especially, even if it does
feature John "May Cause Nausea and/or Abdominal Pain" Mayer; not “Vein
Melter,” because this would also seem to
give the
wrong impression.
I do not, however, want anyone singing
or dancing in the
operating room, which kind of rules out a lot of good music, including
many
jazz standards, such as “What a Wonderful World,” which is of course
not a
dancing song – a crying song, more likely – but, I find, damn near
impossible
not to sing along to. “Swing Swing Swing”
is even more dangerous – no swingin’ with scalpels, please.
Ever seen the movie “Dave”? There’s this scene in which the title
character gets
a crowd to joyously
sing along to “Louie Louie,” an infectious tune that has a
boogie-inducing
effect on the human mind. Great stuff,
that. But please, not in the vicinity of
my anesthetized, cut-open body. I mean,
really: it’s bad enough that they leave tweezers and sponges and stuff
inside people
now and then, but I don’t want to be the first person to have an
inadvertent appendectomy
because some surgeon was groovin’ too hard to his iPod.
Worse than “Louie Louie” would be
“Twist and Shout.” I mean, remember the
end of “Ferris Bueller’s
Day Off” when Ferris gets pretty much all of Chicago
singing and dancing? Yeah.
Wonderful scene, but, again, not one I care
to have repeated in the O.R. No chorus
lines or samba lines or line dancing, no nurses doing high-kicks, no
anesthesiologists
bustin’ a move. This also, I suppose,
rules out any other songs that people might associate with
show-stopping
numbers in film.
I’ve had surgery several times, and
now I wonder what songs
may have been playing while I was being cut open. (Virtuoso
performances by all of these
individuals, by the way; my colon and I thank them profusely, though we
hope
there’s no encore.)
Dr. Thanks for Saving
My Life (performing in Northfield,
MN,
1999 and Minneapolis, MN,
1999): Opera or classical guitar. Something
soothing but soaring. He
was a sort of genius gentle giant, and the head surgeon at
the
biggest hospital in Minneapolis,
who just happened to be the surgeon on call at the hospital in rural Minnesota
where I went when my colon fell apart. Maybe
The Gypsy Kings.
Dr. Libertarian
(performing in Northfield, MN,
2003): I’m guessing Lou Reed. The good
doc seemed like a sort of no-nonsense but not-actually-that-tough
fellow. Nice guy, but there was a definite
sort of melancholy,
despairing tone to his stoic demeanor and quasi-libertarian utterings. Maybe The Who, especially that song from
“Apocalypse
Now.”
Dr. Suave
(performing in Minneapolis, MN,
2005): Jazz with a very slight edge to
it. Tito Puente or Buena Vista Social
Club or maybe “Bitches Brew”-era Miles Davis. Something
with a definite groove, but not rock. He
was a bit like Dr. Libertarian in his
demeanor, but somehow cooler, more hip. Also
fairly young, so maybe his tastes were a bit more modern.
I could see him listening to, say, Moby (the
jazz/blues remix Moby, not the tripped-out techno Moby) or the Verve
Remixed
albums.
And then there’s Dr.
Scalpel, who desperately wanted to remove major pieces of my body,
such as my entire colon. He never got to
perform, thankfully, and I shudder to think of what he would have done
and what he would have listened to. I
dunno. What’s hot among the “evil dipshit”
demographic these days? I would say some
kind of obnoxious, overproduced country stuff, but frankly he seemed
like a liberal, which sort of rules out a taste for most country these
days,
aside from the Dixie Chicks. But I just
can’t
see him digging that. Honestly, I bet he
fancied himself as a Johnny Cash type, in the manner of an malevolent
dweeb
wanting to emulate the archetypal tough-guy-with-a-heart.
I
can just see Dr. Scalpel with his knife poised, bellowing, “I shot a
man in Reno,
just to watch him die.”
Ultimately, of course, it’s the skill of the surgeon that
matters, not the soundtrack. No matter
how much I may appreciate Johnny Cash, if my colon becomes a burning
ring of
fire, I want Dr. Scalpel nowhere near it. Hell,
I’ll take the “Barney” theme song on infinite
repeat, as long as I
have someone competent as the conductor. |